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Cambridge Histories Online (CHO):
The Cambridge Global History of Fashion

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Contact/Order: info@digento.de

Volume 1: From Antiquity to the Nineteenth Century
Volume 2: From the Nineteenth Century to the Present


Hrsg. v. Giorgio Riello und Christopher Breward

Online

Verlag :: Publisher

Cambridge University Press

Cambridge Histories Online (CHO)


The Cambridge Global History of Fashion

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Preise auf Anfrage / Prices on request


Siehe auch:
Cambridge Histories Online (CHO)

Das Angebot richtet sich nicht an Verbraucher i. S. d. § 13 BGB und Letztverbraucher i. S. d. PAngV.

ISBN/ISSN

978-1-108-85035-3 (Volume 1)
978-1-108-86234-9 (Volume 2)

Bestellnummer bei digento :: digento order number

10603328

Verlagsinformation :: Publisher's information

Volume 1: From Antiquity to the Nineteenth Century
Edited by Christopher Breward, National Museums of Scotland, Beverly Lemire, University of Alberta, Giorgio Riello, European University Institute, Florence

Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.


Volume 2: From the Nineteenth Century to the Present

Edited by Christopher Breward, National Museums Scotland, Beverly Lemire, University of Alberta, Giorgio Riello, European University Institute, Florence

Volume II surveys the history of fashion from the nineteenth-century to the present day. Covering the period beginning with mass industry and ending with calls for sustainability, this volume challenges the meaning of modernity and modernism from a global perspective and reflects on important scholarship that has changed our understanding of the relationship between fashion and colonialism. Empires shifted and new powers rose, with fashion marking and contending with this change. The volume concludes with a critical view of fashion and globalisation, and explores the deep connections between the fashion industry, the global economy, and the politics of production and wearing in the contemporary world.

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