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Sovetskii Ekran Digital Archive (1925-2003) |
Kontakt/Bestellung |
Online |
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Inhalt :: Content Online-Service mit Zugang zu sämtlichen Ausgaben des einflussreichen sowjetischen Filmmagazins „Sovetskii Ekran“ von seinem Start im Januar 1925 bis zum letzten Heft im Jahr 2003 im kombinierten Volltext- und Faksimileformat. Enthalten sind Filmkritiken, Interviews mit Regisseuren und Schauspielern, Insider-Berichte zur Filmproduktion, Leserumfragen zu „Bester Film/Actor/Actress des Jahres“ und internationale Filmnews. „Sovetskii Ekran“ ermöglicht Einblicke in Zensur, Propaganda, Publikumsgeschmack und die Entwicklung sowjetischer Filmästhetik. Abgedeckter Zeitraum: 1925-2003. |
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Verlag :: Publisher East View Information Services |
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Preis :: Price Preise auf Anfrage / Prices on request |
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Das Angebot richtet sich nicht an Verbraucher i. S. d. § 13 BGB und Letztverbraucher i. S. d. PAngV. |
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Bestellnummer bei digento :: digento order number 108822 |
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Verlagsinformation :: Publisher's information Sovetskii Ekran (Советский экран, Soviet Screen) was the most prominent film magazine in Soviet history. A treasure trove of insider insights, production secrets, and cultural impacts, this collection offers a one-of-a-kind experience that will enrich academic studies. Published bi-monthly, Sovetskii Ekran boasted a circulation of two million copies, making it the largest film publication in the world at the time. It was incredibly popular among film enthusiasts in the USSR, vanishing from kiosks as quickly as it arrived and passing from hand to hand. The magazine offered an unprecedented look into the production secrets and the creative lives of actors and directorsserving as a portal into the magical world of cinema. The honor of gracing ist cover essentially guaranteed an instant following of adoring fans for the featured artist. People often cut out the magazine covers featuring popular actors to use as posters, making it a significant cultural artifact. Sometimes, the magazine took extraordinary liberties, such as publishing an obituary of Marilyn Monroe in 1962a time when she was virtually unknown in the USSR.
By studying Sovetskii Ekran students and researchers can glean valuable insights into the socio-cultural role of cinema in the Soviet Union, the state’s role in shaping cinematic narratives, and how films were received by the general populace. This could be essential for any comprehensive study of Soviet cinema, as it provides context that academic and theoretical discussions might lack.
Sovetskii Ekran first emerged in January 1925 and continued ist publication with occasional hiatuses until ist final issue in 2003. Throughout ist existence, it underwent several name changes:
1925-1928 Sovetskii еkran
The Sovetskii Ekran Digital Archive contains all obtainable published issues from 1925 on, including over 50 years of content and approximately 32,000 pages. (Note: The publication of Sovetskii Ekran was completely suspended from 1931-1938, 1942-1956, and 1999-2001. The lack of content for these periods is not a gap but reflects the journal’s publication schedule during these times.) The archive offers scholars the most comprehensive collection available for this title, and features full page-level digitization, complete original graphics, and searchable text, and is cross-searchable with numerous other East View digital resources.
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