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Early Soviet Cinema Collection. Part Two |
Kontakt/Bestellung
Contact/Order: info@digento.de 
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Online |
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Inhalt :: Content Online-Service mit Zugang zu einer 81 Titel umfassenden Sammlung zur russischen und sowjetischen Filmgeschichte. Den inhaltlichen Schwerpunkt bildet historische Fachliteratur zu Montage, Regie, Schauspiel, Bildgestaltung, Tonfilmentwicklung, Drehbucharbeit und Kinoarchitektur aus der Stumm- und Tonfilm-Avantgarde sowie der stalinistischen Ära bis zum Beginn des Tauwetters. Enthalten sind Werke von und über Schlüssel- und Übergangsfiguren wie Lev Kuleschow, Wsewolod Pudowkin, Michail Romm, Wladimir Nielsen und Isaak Babel. Einen weiteren Fokus stellen Schriften zur Rolle des Kinos als staatliches Erzeugnis und Propagandainstrument dar (u. a. kommunistische Erziehung, Frauenbilder, Kinderkino, atheistische Dokumentationsfilme und Kulturpolitik). |
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Verlag :: Publisher Infoteka |
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Preis :: Price Preise auf Anfrage / Prices on request |
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Das Angebot richtet sich nicht an Verbraucher i. S. d. § 13 BGB und Letztverbraucher i. S. d. PAngV. |
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Bestellnummer bei digento :: digento order number 109052 |
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Verlagsinformation :: Publisher's information The Early Soviet Cinema Collection. Part Two features 81 Russian and Soviet e-books on cinema and film studies, a complement to the previous 119-title Early Soviet Cinema Collection. Part One. Offered as a separate database rather than as a merged expansion, Part Two is designed both for libraries that already acquired Part One and for institutions seeking a deeper, more specialized collection on the history, theory, practice, and ideological function of Soviet cinema. The collection is delivered in full-image PDF format with searchable text, preserving the appearance of the original publications while supporting modern discovery and research. The collection covers publications issued between 1908 and 1956, with particular strength in the formative decades of Soviet film culture. It includes works by and about leading figures in Soviet cinema, film theory, directing, acting, screenwriting, criticism, and production, including Lev Kuleshov, Vsevolod Pudovkin, Mikhail Romm, Vladimir Nielsen, Isaac Babel, Ilya Trauberg, Nikolai Anoshchenko, Veniamin Vishnevsky, and others. Among the included titles are works on film directing, montage, screen acting, visual composition, sound cinema, cinema architecture, film scripts, the history of cinematography, and annual surveys of Soviet film production. Beyond film technique and aesthetics, the collection is especially valuable for the study of cinema as a Soviet cultural institution. The books address the political, educational, and ideological uses of film, including cinema and communist education, children and cinema, documentary and technical films, foreign film criticism, atheist documentaries, the representation of women, the role of film in public instruction, and the relationship between cinema, literature, theater, and state cultural policy. As a result, the collection will support not only film studies, but also research in Soviet history, Slavic studies, visual culture, media studies, cultural policy, propaganda, gender studies, education, and the history of technology.
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